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・ A.P.D. Ribelle 1927
・ A.P.D. Tortona Villalvernia
・ A.P.E.X.
・ A.P.N.G. Enterprises
・ A.P.O. Orfeas
・ A.P.P.P.
・ A.P.S. Aspida Xanthi
・ A.P.S. Zakynthos
・ A.P.T.W.R. School
・ A.P.Valves
・ A.Q. Miller School of Journalism and Mass Communications
・ A.R. Adams Funeral Directors
・ A.R. Akela
・ A.R. Carroll Building
・ A.R. Jamali
A.R. Kane
・ A.R. Natarajan
・ A.R. Pardington
・ A.R.C. (album)
・ A.R.E. Weapons
・ A.R.E. Weapons (album)
・ A.R.J College of Engineering and Technology
・ A.R.L.M. Matriculation Higher Secondary School
・ A.R.O.G
・ A.R.S. Armenian School
・ A.R.T. Studios
・ A.S. Atletico Trivento
・ A.S. Bisceglie Calcio 1913
・ A.S. Cittadella
・ A.S. Cooper Farm


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A.R. Kane : ウィキペディア英語版
A.R. Kane

A.R. Kane (sometimes AR Kane or A.R.Kane) were a British musical duo formed in 1986 by Alex Ayuli and Rudy Tambala. They are noted for pioneering a genre known as dream pop during the late 1980s, integrating guitar feedback, studio experimentation, and elements of house, jazz, and dub music into an amorphous whole.〔(''The Guardian'' )〕〔(Simon Reynolds - A.R. Kane Interview )〕 Despite fairly limited commercial success—the group scored a surprise worldwide dance hit with 1987's "Pump Up the Volume" as part of the one-off collaboration MARRS—they have been characterized as among the most innovative groups of their era.〔(A.R. Kane biography at Allmusic.com )〕〔(Simon Reynolds - A.R. Kane Interview )〕〔(''The Guardian'' )〕
==History==
Ayuli is of Nigerian descent, while Tambala was born to a Malawian father and English mother. The two first met as school children in an East London primary school. Both were involved in formative and culturally diverse music communities as adolescents.〔(The Quietus - A.R. Kane Interview )〕 In 1983, Ayuli became an advertising copywriter, one of few black creatives working in the London ad business. The roots of A.R. Kane lay in a joke: at a party in 1986, Tambala was asked how he and Ayuli knew each other; he lied that the two played together in a band, going on to describe their sound as "a bit Velvet Underground, a bit Cocteau Twins, a bit Miles Davis, a bit Joni Mitchell." A week later, the two were contacted to record a demo on the strength of Tambala's fabrication.〔(The Guardian - A.R. Kane: how to invent shoe gaze without really trying )〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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